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.Entertainment
Movie Review

On the war path

The Manchurian Candidate
Stars Denzel Washington, Liev Schreiber and Meryl Streep. Rated MA15+

- Reviewer: PTE John Wellfare

Rating: 3 Stars

Denzel Washington confronts political and corporate heavyweights in The Manchurian Candidate.

Denzel Washington confronts political and corporate heavyweights in The Manchurian Candidate.

DENZEL Washington has plenty of experience playing a noble man in dogged pursuit of the truth.

He may even be a little too comfortable with the role and slip into character too easily after so many similar parts, but he still plays it better than any other actor that springs to mind.

In the first Gulf War, a US patrol is ambushed by a large enemy force, but fights its way out and escapes thanks to the heroism of Sergeant Raymond Shaw (Schreiber), who is awarded the Medal of Honour for his actions.

More than a decade later, the unit commander at the time, Major Ben Marco (Washington), starts to believe that things had gone differently to what he and his men remember, and begins to look for answers. His investigations unveil a major corporation’s plot to gain control of the government.

The Manchurian Candidate is based on a similar pretence to the 1962 film of the same name and uses many of the same characters, but brings the concept into the modern era. It’s based on the Gulf War instead of the Korean War, terrorist fears instead of Communist fears and microchip implants instead of hypnotism.

In some ways, this film is at its most meaningful when compared to the original, in terms of the political context on both occasions. There are also a few modern-day issues such as Gulf War syndrome, which is given a brief mention but doesn’t really feature as much as it could.

Unfortunately, even 42 years after the original and despite all sorts of technological advances, the brainwashing concept still feels a little too Twilight Zone.

Director Jonathan Demme uses some similar techniques as those that made his 1991 film The Silence of the Lambs such an eerie experience, but the comic-like plot stops the potential effect from taking hold.

Washington and Schreiber are brilliant in their roles, as is Meryl Streep as Raymond’s domineering mother, but Demme would have been wiser to bring them all together on an original project, perhaps focussing on the aforementioned Gulf War syndrome, rather than mad scientists and brain probes.
 

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