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Historys
infamous moments and people immortalised
Armageddon
Max
Hastings , Pan
Macmillan
500pp,
$25
WHEN
a books prose is crisp, chock-full of anecdotes, quotes
and astute, concise judgments based on excellent research,
then its hard to put down.
English journalist and historian Max Hastings is one such
writer. He proves that military history should be written
in such a way to engage the reader in an area of history which,
at first, might not seem worth reading.
In Armageddon, Hastings tells the story of the fall of the
Third Reich over the eight months following D-Day on June
6, 1944. His line of attack is to tell the story and highlight
the reasons why the Wehrmacht fought so hard and had to delay
the inevitable fall of Hitlers demonic regime.
Dont think that Hastings is a revisionist right-wing
historian perversely dazzled by the Germans. Although he is
very respectful and honest about the technical abilities of
the German Army and judges it to be the most formidable of
the armies which fought over Europe in terms of training,
skills and dedication, his writing spares no Germans, especially
the generals, over their moral cowardice, vacuity and willingness
to be complicit in the terrible war crimes of the Nazis.
He also does not shirk from the horrific war crimes of the
Russians in taking vengeance when they invaded East Prussia,
the first German province to be destroyed by the Red Army.
The systematic and dreadful raping of German women by Soviet
soldiers is not ignored.
Hastings is particularly strong in analysing the mistakes
of American and British senior commanders in prolonging the
war on the Western Front. In particular, the Allied defeat
at Arnhem and the American blunders in front of Aachen and
in the Hurtgen Forest are examined.
But the strength of Armageddon is the balance between telling
the battle narrative, the strategic overview and the ordinary
stories of the soldiers and civilians of all sides in the
last period of the war in Europe.
Armageddon is a welcome addition to any library on World War
II.
David Sibley
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